Saturday, April 30, 2011

Changeless Review by JG

Changeless by Gail Carriger
Rating: ★★★★

Alexia Maccon, née Tarrabotti, is awakened one morning by her husband bellowing out orders and questions. He doesn't take time to answer her questions, but of course she finds out what's going on later. Something or someone has found a way to completely negate whatever magic makes supernatural beings, well--supernatural. This has London in an uproar. When the phenomenon seems to be traveling north to Scotland, Lord Maccon sets out in that direction too. He wants to investigate further, plus he needs to check in with his old pack. Alexia just can't be left behind, so one dirigible ride later, she joins him up there to find the pack in disarray.

Another fun entry into The Parasol Protectorate! I swear I smiled and giggled the whole way through. Alexia is just as hardheaded and Lord Maccon is just as Alpha. Yum-mmmeeeee. *Waggling eyebrows lasciviously* Alexia is settling into her role as the Woolsey pack's Alpha female with ease. It's a role she was practically made for. There's one confrontation with a member of the pack who has just returned from India that left me laughing. She handled him as only Alexia can. She manages to get herself into even more trouble this time around, believe it or not.

A strange French inventor, Madame Lefoux, makes an appearance too. We're never quite sure what her role is in everything, but she had me hopelessly intrigued. She is to Alexia as Q is to Bond. Talk about a tricked-out parasol! She hooks Alexia up! MacGyver would be jealous of this thing! She's wonderfully eccentric and I couldn't help but love her even as I wondered about her loyalties.

Ivy Hisselpenny and Alexia's sister Felicity have a much-larger role in this book, and all I have to say about that is, "Poor Tunstell. He didn't stand a chance." Ivy's hats are even more garish, Felicity is even bitchier, but their catty spats with each other and Alexia are priceless.

I had an idea what was going on with the mystery and wondered why no one even thought to consider it until the end.

Speaking of the ending...

That's really what knocked this back a star. It's a cliffhanger, it came out of the blue, (Well, sort of. I knew part of what was going on), and it relied heavily on miscommunication. I know miscommunication happens but it irritates the heck out of me when a whole new plot turns on it.

Still, highly recommended for fans of this kind of funny, character-driven, supernatural mystery. I'm anxiously awaiting Blameless. Darn cliffhangers


Friday, April 29, 2011

Soulless Review by Misty B.

Soulless by Gail Carriger
Rating: ★★★★★
Briefly: Read it. Soulless is exactly what I wanted and didn’t get from Pride and Prejudice and Zombies. It’s a pithy, funny, tongue-firmly-in-cheek mesh of Victorian manners and morés, and absurd occult occurrences. Alexia Tarabotti is an intriguing and amusing MC, completely un-Victorian and yet somehow not out of place. Carriger’s take on Victorian London high society shows a real knowledge of it, while not taking it too seriously. And, man, talk about cover appeal! Love it!
Highly recommended if you like historical, paranormal, satirical, and/or sexy-silly fiction.

Not-so-briefly: let's get down to business --
Characters: The characters of Soulless, including many of the secondary ones, are vibrant and fleshed out. The main characters are engaging and charmingly flawed. The two main characters, Alexia and Lord Maccon, are irresistible. Seriously. Just try to resist them; I'll wait.
Alexia is sassy and smart, with a strain of Victorian sensibilities that is unfettered by any sort of wallflower-ness. She is not shy or coy or retiring. She is a feisty heroine with modern inclinations, who just happens to expect to be treated like a Victorian lady, smart spinster, some-time sex object, and fan of treacle tart; she doesn't ask much. She's a perfect little bundle of contradictions.
Lord Maccon is every bit the Alpha werewolf, posing as a highly desirable bachelor Lord. He is constantly on the verge of bursting out and doing something deliciously indecorous. The fireworks between Lord Maccon and Alexia are blinding (and plenty exciting -- and loud, as fireworks tend to be). It's a classic love/hate relationship with the added fun of Victorian etiquette and supernatural elements tossed in.

Setting and Plot: The steampunky goodness of Carriger's Victorian England is almost as much a character as Alexia and Lord Maccon. Carriger did her research, and a London slightly different than we may have expected comes to life on the page. The Victorian obsession with the fledgling field of genetics plays a prominent and brilliant role, and the exploding obsession with science in both the working and moneyed classes makes for a suitable, smart and intriguing background to the story. Carriger's idea that these great advancements (logically) are the result of supernaturals is fun and playful, while making perfect sense. There's good conflict, great tension (plot tension and sexual tension *waggles eyebrows*). All said, she has set up a great stage-set to play on for the remainder of the series. Long may it live

Thursday, April 28, 2011

Soulless Reviewed by Becky

Soulless by Gail Carriger
Rating: ★★★★
In the words of Allison, this book kicked ass. I immensely enjoyed it, and have added it to both my "wishlist" and "to buy" shelves. Maybe someone will want to part with their copy, but I won't hold my breath.

First, let us get the bad stuff out of the way:
1) The main character's name: Alexia. This is a kind of disorder that causes word blindness, or the inability to read. TERRIBLE choice for an exceedingly smart and well-read main character.
2) There were some annoyingly errors in the text, things like saying that the time between sunrise and the moon rising is "twinight". Umm, no, that would be the time between sunset and the moon rising. The time after sunrise is called "day".

Ok, that's all I got for bad stuff. Other than that, I really loved the book. It was humorous, witty, unique, tied in one of my favorite eras to read about, had wonderful characters and was just an all around fun read. Miss Tarabotti reminded me quite a lot of Amelia Peabody from that series of books, and Lord Maccon reminded me of Emerson, again from the Peabody books, but in this there is a supernatural bent. I like that vampires and werewolves are "out" and accepted, mostly, and I like the subtle political "fear mongering" nod in the book too. Very smart.

I have to say that I am immensely glad that this book does not seem to be the start of a series of revolving beds, like the Sookie Stackhouse books. I like that there is a good amount of romance in the stories, but I don't like books that bed-hop just for the sake of stirring things up. I like that this book seems to have more substance than that, although it does seem to follow the trend of "unusual girl meets very unusual guy and drama ensues, then relationship bliss..."

I really enjoyed this book, and look forward to the rest of the series. Which I now have to wait for. BLAST!

Wednesday, April 27, 2011

Soulless Review by JG

Soulless by Gail Carriger
Rating: ★★★★★
I have waited entirely too long to write this review and gotten too deeply involved in the world of Ken Follett's World Without End, so this review is going to suck a little. Which is a pity because I had thought of all kinds of witty things I was going to write and now I've lost them.

Miss Alexia Tarabotti is soulless. When she touches supernatural beings, she neutralizes their abilities and they become human for a moment. That could be useful to the Bureau of Unnatural Registry if she weren't a lady of good breeding. She refuses to be treated as a wilting lily and goes about, wielding her tricked-out parasol and assisting in any way she can, as new vampires who appear to be entirely clueless about supernatural laws go about wreaking havoc on society.

I loved the chemistry between Alexia and Lord Maccon from the moment he threatens to bring her out of a faint with something stronger than smelling salts. He's an Alpha werewolf, but Alexia has enough alpha personality to hold her own against him. Their subtle yet pointed verbal sparring made this book for me. And can you say steamy? It wasn't too graphic, but oh my gosh. *Fanning*

Alexia herself was a fantastic character. At twenty-six, she's firmly on the shelf in Victorian society, but she's okay with that. Better to be on the shelf than married to some half-wit who can't keep up with her own intellect and curiosity. She gets enough of that from her family. They don't know she's soulless and put all of her quirks down to the fact that her father was Italian. But they've left her just a little insecure about her appearance and desirability. Just enough to make her feel real.

And Lord Maccon. Yum. That's all there is to say about him. But you know I can't leave it at that. Sexy, Alpha, protective, strong, and with a Scottish burr, who can resist him? I kept having an internal battle over his name. There's a Macon County near where I live and Lord Maccon kept sounding like bacon. As a carnivore, I'm sure he wouldn't object, but it kept distracting me.

I liked the way that some curious turns in history can be put down to supernatural intervention. I won't give anything away, and it was only a very small part of the book, but it amused me.

I really liked the cover until I read the book. I kept picturing Alexia as Nia Vardalos and that bony female on the cover just didn't cut it anymore.

I don't think I've read any steampunk before, but if this book is at all indicative of the genre, I am hooked. I'll be actively searching out more of this kind of thing as I eagerly await the sequel, Changeless.

Honestly, if you think that the only way The Pink Carnation series could be improved is by throwing in some supernatural beings, you will love this. If you don't know what I'm talking about but you would like a new take on the whole vampire thing, you'll probably like it too. It was just a hugely fun novel that I read with a smile on my face.

Tuesday, April 26, 2011

Soulless Review by Elizabeth L.

Soulless by Gail Carriger
Rating: ★★★★

It is the reign of Queen Victoria and the British Empire is vast and ever expanding, thanks in part to the Werewolves and Vampires. The supernatural are acknowledged the world over, but only England has truly accepted them into their daylight world and even into Victoria's government. They even have their own watchdog agency, BUR, the Bureau of Unnatural Registry. This revelation has resulted in technology exploding in the industrial era to harness the power of steam and create a veritable Wellsian world. Now Alexia Tarabotti enters into our story. Alexia deftly straddles these two worlds, not supernatural and not fully human, she is preternatural, soulless, and can cancel out supernatural powers. Preternatural's being used for centuries, particularly by the Templars, to hunt and kill supernaturals. But these are not Alexia's concerns...she's more worried about finding a nice cup of tea and a little something to eat...if a party says that there is to be food, food there should be! What else is a spinster who tragically takes after her dead Italian father in looks and is extremely outspoken to do at parties specifically designed to marry off her two step sisters? But her peace, and the treacle tart, are destroyed by a surprisingly ignorant vampire. She prevailes with her trusty parasol and BUR, in particular, Alpha Lord Maccon and Beta Professor Lyall, arrive on the scene to tidy up the loose ends.

The next day dawns surprisingly normal, till out on a walk with her best friend, and fashion victim, Ivy Hisselpenny, Alexia is invited to the hive of the Vampire Queen, Countess Nadasdy. From there everything goes pear shaped and it's up to Alexia to sort it out, despite Lord Maccon's interference, in more ways then one, some of them surprisingly intimate. There are disappearing rogue vampires and werewolves, and not even her trusty go to gossip, the vampire dandy Lord Akeldama knows what to make of it. With the full moon fast approaching will Alexia be able to keep her overly large nose out of this supernatural business? Or will she storm into the fray, trusting parasol (made to her specifications) in hand And will she get the man even though she has been a resigned spinster since the age of 15?

Soulless is the author Gail Carriger's first published work. I have to say I'm surprised and impressed. Surprised in that it is such a well written polished piece with great Victorian vernacular and lots of wit. Plus as an aside, I only found maybe two typos, it's unheard of for a book to be that well copy edited! But what impressed me was the author's world creation. The England of dirigibles and dandys is wonderful. I found the science and the history she created to be easy to understand, despite it's complexities, and I can't wait till the next book to re-immerse myself in this world...too bad I have to wait till March! The interaction of science with the supernatural was also so well done and logical, you never once felt that she was trying to force one or the other on a preexisting history of the British Empire, but was explaining the oddities of the British Empire itself with the world she created. If only Prince Albert were still alive...I can picture him with Professor Lyall, both equipped with Glassicals and studying the latest scientific aspects of chloroform while waiting to give a presentation to The Royal Society.

Overall the book was able to work on many levels, one of which was to overcome typical romance genre stereotypes. I don't think I'll ever really like Ivy Hisselpenny, she is too, wide-eyed innocent best friend who Alexia will endeavor to find a good match for in subsequent books. Also the throwing together of the heroine with the gruff hero so early in the novel was surprising to me, usually they wait till the very last moment. But Carriger made this work in the end with not the least bit of diluted suspense and the conclusion made me wish I hand Changeless right away to dive into to read of Maccon and Alxia's further adventures. Alexia herself is so wonderfully abrasive and forthright and knowledgeable with such a love of food you can't help embracing her instantly. Who cares that she's the typical spinster stereotype, because when you get down to it, there is nothing stereotypical about her. She is a woman who takes after Victoria herself, not those insipid heroines always needing a man to save them.

But now I must get to my favorite character, Lord Akeldama. He's a dandy to be sure, and a rogue vampire due to a mysterious disagreement over waistcoats, but he's so much more. He's a complex little spy who loves Alexia because she makes him feel human. But his spy network is really where it's at. His trusty Drones, led by Biffy. These dandy's are everywhere and hear everything, but at the same time are so stereotypical and a product of their time that they are a part of the scenery. They are perfectly calculated by Akeldama to be his eyes and ears lending him the appearance of omniscience. Also lets not forget they are great little helpers, in every sense of the word. Do to their cackling dandy herd mentality and the name of Drones and knowing that the author is a fan of P.G. Wodehouse, I can't help myself envisioning a whole different take on the Drones Club. This one would be more stylish, with lots more purple silk and more overt Wildean overtones. I would pay to read about that...really I would. Perhaps in an upcoming sequel by Gail Carriger...


Monday, April 25, 2011

Dune Reviewed by Becky

Dune by Frank Herbert
Rating: ★★★★

This is one of those books that I've always thought that I should read, but never actually wanted to read, simply because I thought that it would have to be tedious and dry and, I hate to say it, boring. Which goes to show what a poor book-cover judge I am, because this book was anything but tedious, dry or boring. In fact, one of the first things that struck me about this book was the readability and fast-paced action and intrigue. So much happened in such a short amount of time, that I'd have to go back and read sections over again to be sure that I understood everything that had happened. Good stuff.

I have to say that I loved Herbert's writing style. It's deceptively simple and to the point... until 10, or 30, or 100 pages later when you realize that what seemed so simple and unimportant was a set-up for a revelation later, and your brain (or mine, at least) has this little "AHA!!" moment, and you feel so smart for figuring out exactly what you were so expertly and subtly led to figure out. Just imagine the possibilities for multiple readings... This book is one which can be read a dozen times and still reveal hidden nuggets of goodness.

Herbert's world, or universe, was so intriguing to me. I loved the political structure of having major and minor power families, an emperor, a 3rd party Guild to manage trade, and the 3rd party Bene Gesserit women, who sort of control-prophesy-manipulate to reach an end. The skills of the people inhabiting Herbert's universe are incredible, and so much based on mind-control. Not necessarily power over another's mind, although there is that, but I mean control over your OWN mind, to the point where instinctive reactions and involuntary bodily functions can be subverted and held in check, simply by will.

I loved Dune, as in the planet Arrakis, and the people who inhabited it, except of course for the Harkonnen jerk-faces. The Fremen are interesting and resourceful and bad-ass and wise, and are able to accept their lot, while trying to make a better lot for future generations. We could take a page out of their books, I think. We should be improving our planet, ensuring its inhabitability for as long as we're able (at least until the sun implodes and kills us all), but instead, we're polluting with reckless abandon, as if the planet is able to just reset with each generation.

Herbert's characters are some of the most interesting that I've read about as well. I loved that he infused a clear-cut Good vs. Bad struggle with deviousness and subtlety, and then on top of that, threw in characters that had to make choices that left you wondering who was real and whether they acted of their own accord or if there was something more... I loved the Atreides. They were, to me, the pinnacle of honor-bound deviousness. That seems strange to say, but I mean it in the best way possible. They were devious only to try to detect and prevent deviousness against them, and to right wrongs that have gone on for generations of animosity between houses. I do wish that there was a reason given that the Atreides house was singled out for this treatment, but reading between the lines, it seems that greed and power-mongering was the cause, and the Atreides were honest enough to stand against it, and so became the enemy.

This book is one that has a great many moral and religious and life-lesson undertones, which is a fine line to walk in any book for me, as I really, really dislike being lectured to. But I think that Herbert handled this all very well, and I was able to read it without feeling as though there was a wagging finger in my face.

Overall, I really, really enjoyed this book. The only reason that I am not able to give this 5 stars is that I felt like the entire book was leading up to a spectacular ending... but the ending drug on for just a bit too long and wasn't as spectacular as I'd hoped that it would be. It was a good ending to a very good book, but I felt that it just could have been a little bit more.

I definitely recommend this book though. It's entertaining and informative and prescient and timely as well as timeless. Just go read it already. :)


Sunday, April 24, 2011

The Duchess of Bloomsbury Street Review by Elizabeth L.

The Duchess of Bloomsbury Street by Helene Hanff
Rating: ★★★★★

The Duchess of Bloomsbury Street is Helene Hanff's followup to the popular 84, Charing Cross Road. This book though is not a continuation or a building on of the twenty years of correspondences between Helene and Marks & Co. but a look into what the writing of 84, Charing Cross Road brought to Helene's life. Due to the popularity of the book, Helene, while not becoming exceedingly famous or wealthy, developed a sort of cult following which enabled her to go to England to promote her book. Her long dreamed of sojourn to England was made possible by this little book and in return we are blessed with another, her diary of the trip. The Duchess of Bloomsbury Street, the title Helene bequeaths to herself, is just as sweet and engaging as the original, but with a little more structure due to the day by day progression without long periods of time missing, which so annoyed me in 84, Charing Cross Road. We follow Helene's journey across the ocean to a world populated by people who's lives were touched by her book. From Frank Doel's widow and daughter, to a Colonel, to a portrait painter, to a famous actress, to an old Etonian, all these people populate her time in England, from sightseeing to dinners (because the fewer dinners she has to pay for herself, the longer she can stay in England.)

After the publication of 84, Charing Cross Road Helene was literally besieged by people saying she must go to England now. But in the book you had sense of hesitation on Helene's part. Whether it was just her fear of travel or the country not living up to her expectations she kept putting off the trip, and at the end of the book you felt that perhaps she had waited too long, ending on a bittersweet note. But Duchess is not in the least bittersweet, euphoric would be the word Helene would use. She realizes, that while people keep telling her that she's about 15 years too late, she isn't. There is still Donne's St. Paul's, Shakepeare's local ale house, even Dicken's London (even if she isn't really a fan). Everything is as she had pictured it in the books she had read. And while she regrets not being as well read as others, being a re-reader to the point of memorization, she would not change it because of the words that flow into her as she enters St. Paul's from Walton's Lives. Having "the whole lovely passage right there in my head" and "for at least that moment, I wouldn't have traded the hundreds of books I've never read for the handful I know almost by heart."

Despite being a middle aged women having just undergone a hysterectomy, she is like a kid in a candy store. Everything is perfect and just as she always wished it to be. Her dreams were literally coming true and you have a desperate urge to just take her book and get on the next plane to see if thirty years later it is the same as when she left. From Russell Square to Hyde Park, Helene revels in her one shot of glory that has enabled her to live her dream. Even if, at times, she does seem a bit of a leech. Whatever she can get out of others in order to stay a day longer she accepts, mainly in the form of food. Of course England seems enamored of her as well as she of it, and they view her presence as enough, either at book signings or on the radio. When Helene runs into an old friend who is as baffled as she is as to England's love of her, she has a strong desire to tell her that the fairy tale will soon be over and Cinderella will go home, to the old jeans and gin while typing away at her 2nd Avenue apartment.

In the end the book is almost like a dream of England come to life, as Helene remarks on the plane, "suddenly it was as if everything had vanished: Bloomsbury and Regent's Park and Russell Square and Rutland Gate. None of it had happened, none of it was real. Even the people weren't real. It was all imagined, they were all phantoms." But even if Helene could not believe her good fortune, you will enjoy reading her exploits, even if they seemed improbable to the author they are a wonderful dream you hope you won't wake from. The book ends appropriately with a quote from Shakespeare's The Tempest:

Our revels now are ended. These our actors
....were all spirits and
Are melted into air, into thin air...
The Cloud-capped towers, the gorgeous palaces,
The solemn temples...dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on...